1) Research.
- You need to watch a lot of music videos in order to analyse the language of the genre.
- It needs to be considered exactly what you are planning to deliver before the process is started.
- Examine how different genres work and have examples to draw upon.
2) Getting in a group.
- Sometimes it may be best not to work with your friends on a project like this, as having a good time may possibly get in the way of work.
- Decide whether you and your group work well together, have the necessary communication, organisation and practical skills needed for the task.
- Ensure deadlines within the group are set and met, in order to overcome any unforeseen change in circumstances.
3) Choosing a track.
- As a video maker you are doing a job, you don't have to like the music or even the artist.
- Narrow it down to not on the basis of your personal tastes but in terms of which music or lyrics stimulate ideas.
- Consider the genre for each and what a video for that music is likely to entail.
- Going for little-known or even unknown acts avoids the problem of the artists image being imprinted on the audience's mind.
4) The pitch.
- Involve a single page of ideas, simply expressed, which would enable anyone hearing it to envisage the potential finished video.
- Needs to stand out, with a 'hook' in the first paragraph, a clear idea of location, and narrative.
- Must be clear as a group exactly what you are intending and how and why you are going to do it.
- Ideas need to be, simple, clear, with the more complications you set, the more there is to go wrong.
5) Look at previous student work.
- Look at material from a similar context to your own in order to see what can be achieved and also what can go wrong.
- Previous student work should give you and idea not only of what works well but also what should be avoided:
- Well-known songs,
- Overdone effects - you shouldn't use effects just to disguise poor footage.
- Aimless driving around.
- Scenes involving booze, fags or drugs.
- Shots of people walking around.
- Sped up footage or footage run backwards to cover lack of material.
- Zooms.
- found footage - it should be your on unless there's an exceptionally good reason.
- Atmosphere-less stage footage.
- Over the top stories.
- Strengths found in previous students work:
- Consistency through to the end.
- A clear sense of genre and artist.
- Well-shot footage.
- A powerful performance.
- A good simple effective idea.
- Judicious cutting.
6) Planning and Shooting.
- Timescale is crucial.
- The director would have no more than six weeks, from being given a brief, or first hearing a track, to plan, shoot and edit the video, then deliver it ready for the record company.
- It may not be the best thing if you have significantly longer.
- Often the most professional looking work is done under pressure to strict time constraints.
- Storyboard as much as you can.
- Keep written records of everything so nothing is ever forgotten.
- Have time to have some costume changes so you can add variety to the video.
- Make sure you know the basics of how to use the camera, and that you have a working tripod before you go off to shoot.
- Check your footage early on in the shoot.
7) Editing.
- Break your footage down into chunks or load some footage then chop away what you definitely don't want before loading more.
- Start editing straight away.
- Name files so you can find them and make sure everything is filed in your folder.
- Use effects sparingly and in a planned fashion.
- Line up material ready for lip-syncing.
- It can be time consuming but it is crucial to the effectiveness of a finished piece.
- Once the lip-syncing is achieved, you can start choosing which bits of the material will go into the finished video.
- Cutaways can be inserted in awkward bits where miming has gone wrong or the camera is out of focus.
- Expect to make compromises.
- May need to apply some filters to even up the lighting.
8) Screening and feedback.
- Be ready to ask questions of your peers rather than just have say it was good or bad.
- Try to get other forms of feedback too.
9) Writing.
- Follow the guidelines given by your teachers according to the A-Level spec which you are working towards.
- Don't fill it with excuses - blaming the equipment, the teachers, the actors etc.
- The writing should:
- Cover the whole process.
- Use technical language accurate.
- Include the feedback and our comments on it.
- Relate it to real examples and their conventions.
- Include an analysis of the finished product using the tools you would use to analyse real examples.
10) Marking.
- Leave this to your teachers and look forward to a good grade.
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